Description

505 games examines the amount of effort placed in authentic sound reproduction of the WWII air combat dogfighter simulation IL-2 Sturmovik: Birds of Prey.

Transcript

IL-2 Sturmovik: Birds of Prey Sound Recording Dev Diary. Our first objective is to fully recreate the whole range of sounds that surrounds you when you’re in the playing combat. Just recreate in your new environment the setting in a cockpit you know, that’s not enough for games with authentic style too. It’s the place that is within the cockpit. You’ve got three different views. You can rotate the camera at 360 degrees upon in the playing. Now, when you had some of the most equivalent combat you’re going to keep looking for all the different enemies so that all your environment that sounds good. Now, it’s the feedback and reinforce every beauty type, every decision you made, so the team with that I’ve got sound recorded to ride and run all of the aircrafts and then the game back when I'm going to shift those engines sound between those all positional sound tracks. So, the audience perspective changes realistically while they are looking. [Foreign Language] So, we’ve also integrated a range of second rate audio features. There’s a whole vibration and I’ll keep in that a really high speed and you’re thrashing the end mission. There’s a real time with the ratio you can see that, that sense of being at ground open space and it’s a variable frequency response with the incoming enemy aircraft. The defense and their distance too and then we have the more obvious features like a real time low frequency of electronics with no sense. This gives that you know, slightly muffled effect on explosions and engine sounds that have to excel into play when you’re in the cockpit. So, all these features and effects combined create a sounds that a truly develops the flair no matter where they are looking, what they did and who they found too and this is what gives IL2 a genuine service of realism and unrivaled global authenticity and authority.